Enchanting Emilia Clarke
 Mother of Dragons 
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Welcome to Enchanting Emilia Clarke, a fansite decided to the actress most known as Daenerys Targaryen from Game of Thrones since 2011. She has also stared in Terminator Genisys, Me Before You, Voice From the Stone, Solo: A Star Wars Story, and Last Christmas. Emilia's become one of Hollywood's A-listers as well as representing Dolce & Gabbana's The One perfume. That's not to mention being beloved by fans and celebrities internationally for her funny, quirky, humble, and genuine personality. She's truly Enchanting.
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Emilia Clarke interview: the Game of Thrones star on leaving Westeros behind to tackle the West End

Clarke, who now stars in Chekhov’s The Seagull, tells Louis Wise that the HBO fantasy series made her feel like a ‘small cog in a big machine’

 

 

 

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PHOTOSHOOTS & OUTTAKES > 2020 > 2020 The Sunday Times

MAGAZINES > 2020 > 2020 The Sunday Times Culture Magazine – March 15

 

The Times: Emilia Clarke says she views herself primarily as a stage actress, which is a little weird when you consider that she has only appeared in one play professionally before, and it was an absolute turkey. Or, as the 33-year-old star of Game of Thrones says, in her jolly British way, it was “terrible, awful, awful! Bad! That was a bad show!” The piece was Breakfast at Tiffany’s on Broadway in 2013, and it’s safe to say Clarke’s Holly Golightly did not enchant. “I’ll never forget, someone said to me after press night the only thing they liked was the cat.”

If Clarke relays this with surprising good humour, this is part temperament, part experience. For one thing, in person she is relentlessly chipper and pukka. Whereas on HBO’s mega-fantasy series Game of Thrones, she grew in stature as Daenerys Targaryen, a still, dignified stateswoman (until that end), in real life she is a goofy motormouth chatterbox, always eager to catch the joke at her expense. And she is no stranger to what we shall politely call “the mixed review”. She has known some drubbings, whether for that Broadway show, or films such as Last Christmas or Terminator Genisys, or indeed the final series of GoT, which — euphemism alert! — didn’t quite turn out the way everybody wanted.

Luckily she never reads reviews. “Because if it’s really, really good, someone will tell you. And if it’s really, really bad — some f***** will tell you.”

We are meeting today, though, at a rehearsal space in south London, because she is chucking herself back into the fray. For only her second stage appearance, Clarke is going straight into the West End, in Chekhov’s The Seagull, and taking on the prestigious role of Nina. If she is nervous, she’s handling it in the usual way, which is to say with huge blasts of good cheer.

Two clichés about meeting starsis that they are a) smaller than you thought, but b) their features are stronger than expected. Both are true of Clarke. She is tiny, proper Kylie-tiny, nicely decked out in a gauzy beige-cream knit, some fashionably frayed jeans and pointy, well-worn white cowboy boots. Yet her eyes and grin look extra big: if she stays still, she’s a dainty doll, but as soon as she moves it’s Looney Tunes. To be clear, she never stays still.

This energy feels helpful, as we have a lot to pack in. After all, Clarke’s past decade has been particularly wild. Not only did she rocket suddenly to fame in GoT (until then, her only screen credit was an episode of Doctors), she also lost her father to cancer in 2016 and, as she revealed in 2019, had suffered a sequence of brain haemorrhages in her early twenties, just as the madness of GoT was kicking off.

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April 07, 2019  Claudia No comments Articles, Interviews, Press

Even the Mother of Dragons gets sick. A slightly congested Emilia Clarke mentions she’s getting over the flu as we talk on the phone days after the Academy Awards. Apparently, going to the Oscars and hitting up Beyonce’s private after party didn’t help with her recovery. (“I basically cried at her,” she gushes over the experience.) But what’s one night of feeling ill on the red carpet when you’ve spent months filming battle scenes in wintery Northern Ireland in the most grueling conditions? If Khaleesi could make it to Winterfell alive, then Clarke could survive the climax of awards season with the flu.

Throughout Clarke’s nearly decade-long tenure as queen Daenerys Targaryen on Game of Thrones, we’ve seen her walk through fire unburnt, devour a horse heart, and fly on the back of dragons. But in the fantasy juggernaut’s eighth and final season, which premieres April 14, Dany will find herself in completely new territory: at Winterfell with the Starks, on the brink of a war against the undead.

“She starts feeling pretty cocksure and confident, and then stuff happens,” Clarke tells BAZAAR.com of Dany’s arrival North and her first encounter with Sansa Stark (Sophie Turner), which HBO teased in early promos.

Clarke’s casting as the platinum-haired heir to the Iron Throne was first announced in 2010. She’s grown a lot since then; Season 1 Emilia and Season 8 Emilia are “two incredibly different women,” Clarke says.

As she moves on from the Thrones world, she already has other projects lined up, like the holiday rom-com Last Christmas (co-written by Emma Thompson) opposite Henry Golding. She previously hit the big screen in 2018’s Solo: A Star Wars Story, 2016’s Me Before You, and 2014’s Terminator Genisys. Clarke also landed a covetable role in the beauty sphere, as the face of Dolce & Gabbana’s The Only One fragrance, available now. In the ads, she’s a charming Italian chanteuse who breaks into song over dinner in Rome—a far cry from Khaleesi.

But nothing can compare to her experience on GoT, for better or worse. “Game of Thrones is probably the hardest shooting I’ll do, because it is so physical and you’re in a corset!” she emphasizes. “You’ve got the physical places of where you are, the weather is so extreme, and the hours are really long and there’s so much tension in each character towards the end. There’s so much tension in the room, and you’re concentrating so hard. It’s strenuous.”

After a long day on set, Clarke’s self-care routine ends with the ultimate release: “Taking off your goddamn bra and getting into your pajamas.” She’s also religious about removing her makeup (“You’ve put a lot on by the end of the day”), then cleansing and moisturizing every night. And once she’s in her PJs with a hot water bottle, it’s over for y’all.

Clarke’s journey on Game of Thrones culminated in a similar conclusion. “I think ending it was just the mother of all releases,” she says over the phone. “It was just the metaphorical undoing of the bra, except it’s like a 10-year experience.”

Here, Clarke tells BAZAAR.com about repping Dolce & Gabbana’s new scent, saying goodbye to Khaleesi, and promoting gender equality.

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Just when all my childhood dreams seemed to have come true, I nearly lost my mind and then my life. I’ve never told this story publicly, but now it’s time.

It was the beginning of 2011. I had just finished filming the first season of “Game of Thrones,” a new HBO series based on George R. R. Martin’s “A Song of Ice and Fire” novels. With almost no professional experience behind me, I’d been given the role of Daenerys Targaryen, also known as Khaleesi of the Great Grass Sea, Lady of Dragonstone, Breaker of Chains, Mother of Dragons. As a young princess, Daenerys is sold in marriage to a musclebound Dothraki warlord named Khal Drogo. It’s a long story—eight seasons long—but suffice to say that she grows in stature and in strength. She becomes a figure of power and self-possession. Before long, young girls would dress in platinum wigs and flowing robes to be Daenerys Targaryen for Halloween.

The show’s creators, David Benioff and D. B. Weiss, have said that my character is a blend of Napoleon, Joan of Arc, and Lawrence of Arabia. And yet, in the weeks after we finished shooting the first season, despite all the looming excitement of a publicity campaign and the series première, I hardly felt like a conquering spirit. I was terrified. Terrified of the attention, terrified of a business I barely understood, terrified of trying to make good on the faith that the creators of “Thrones” had put in me. I felt, in every way, exposed. In the very first episode, I appeared naked, and, from that first press junket onward, I always got the same question: some variation of “You play such a strong woman, and yet you take off your clothes. Why?” In my head, I’d respond, “How many men do I need to kill to prove myself?”

To relieve the stress, I worked out with a trainer. I was a television actor now, after all, and that is what television actors do. We work out. On the morning of February 11, 2011, I was getting dressed in the locker room of a gym in Crouch End, North London, when I started to feel a bad headache coming on. I was so fatigued that I could barely put on my sneakers. When I started my workout, I had to force myself through the first few exercises.

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April 07, 2019  Claudia No comments Articles, Interviews, Media, Press, Video

Spend any time with Emilia Clarke, and it’s easy to see that she’s not like the character she plays on TV. “The big difference between me and Dani [is] my sense of humor, in that I have one,” Clarke laughed. “I mean, that lady ain’t cracking jokes!”
“That lady” is Daenerys Stormborn of House Targaryen, rightful heir to the Iron Throne, rightful Queen of the Andals and the First Men, Khaleesi of the Great Grass Sea, and Protector of the Seven Kingdoms, among other titles. She commands an air force of dragons, walks through fire, and is a serious contender to win the “Game of Thrones.”

The final season of the series, which begins next week on HBO, is the biggest TV show on Earth. It’s famous for killing off its lead characters, but (so far) Clarke’s has survived.
Correspondent Tracy Smith said, “Even though you are one of the obviously most powerful characters in the show, I don’t think audiences would be surprised if they killed you?”
“Well, this is the incredible writing, the incredible storytelling on the show,” Clarke said. “And in that way that life can be shocking and frightening and confusing, this show doesn’t shy away from that for the sake of storytelling. It embraces that.”
“So, without giving anything away, when you read that final script, what happens to Daenerys, what was your reaction?”
“It’s sort of almost impossible to answer that question.”
“Without giving something away?”
“Uh-huh. I have so much to say about that!”
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September 21, 2018  AliKat 1 comment Game of Thrones, Interviews, Video

I finally finished loading all of the Emmy photos and here are the videos:

 


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VANITY FAIR – It may be another year before Daenerys Targaryen appears on HBO, but Emilia Clarke has wrapped up shooting for the final season of Game of Thrones and is prepared for the big screen.

 

On a rainy April afternoon, Emilia Clarke enters the bright, airy Egyptian galleries of the Metropolitan Museum of Art the way so many movie-lovers before her have: quoting Billy Crystal in When Harry Met Sally. Adopting the unsourceable accent Crystal uses opposite Meg Ryan in a famously improvised scene filmed in this very room, Clarke starts stuttering, “Pah-pah-paprikash.” Our amused if bewildered guide, too young to get the reference, adds the 1989 rom-com to her list of movie recommendations from Clarke, who has already gushed about the 2017 religious drama Novitiate. Chuckling over this unlikely double feature, Clarke assures her, “You have two incredible movies coming your way.”

 

One reference the guide does get: Game of Thrones, the HBO juggernaut which stars Clarke as its most unstoppable heroine, Daenerys Targaryen. In fact, the very tour we’re taking, put together by a company called Museum Hack, is based on the series, and offers a fan-friendly survey of the sometimes inscrutable displays of the Met. You don’t have to be an art historian (our guide is an aspiring actress) to understand what Greek fire, Damascus blades, heraldry, mutilated men, samurai kamon, the dragon-born St. Margaret of Antioch, and an early female pharaoh have to do with wildfire, Valyrian steel, house words, and Clarke’s world-famous alter ego.

 

 

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May 24, 2018  AliKat No comments Appearances, Interviews, Video

 

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