Welcome to Enchanting Emilia Clarke, a fansite decided to the actress best known as Daenerys Targaryen from Game of Thrones since 2011. She acted on stage in Breakfast at Tiffany's on Broadway, plus many movies, including Terminator Genisys, Me Before You, Solo: A Star Wars Story, and Last Christmas has some great upcoming projects. She'll be joining the MCU next year for Secret Invasions. Emilia has represented Dolce & Gabbana's and Clinque. That's not to mention being beloved by fans and celebrities internationally for her funny, quirky, humble, kind, and genuine personality. She's truly Enchanting.
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June 28 2017

 

How HBO’s insanely popular hit show turned a young British actress into a feminist, a fantasy icon and a royal fan favorite

 

 

ROLLING STONE – On a recent Monday afternoon, the queen was taking her tea. “Could I just be more English than sense itself and get an Earl Grey?” asks Emilia Clarke from the deep folds of a leather chesterfield sofa in the so-called Drawing Room of her downtown Manhattan hotel. The young waiter is only too happy to oblige, though it’s unclear whether he knows he’s in the presence of the Khaleesi, Mother of Dragons and rightful ruler of the Seven Kingdoms.

 

That being said, six seasons into HBO’s Game of Thrones – a cultural phenomenon that plays in no fewer than 170 countries, has inspired countless tattoos and baby namings, and has proved to be the network’s most popular show of all time, with a seventh season set to premiere July 16th – it’s more than likely that he does. Clarke smiles and tucks her feet up under her. “I’m crap at getting recognized,” she confides. “People are like, ‘Oh, hey!’ And I’m like” – she starts yelling – “‘God! Oh, hi! I’m sorry!’ ”

 

When I first met Clarke, back in 2013, the actress was 26, still relatively unknown when not wearing her signature GoT blond wig, and not likely to compare herself to her warrior-queen character. She’d still seemed slightly in awe of the fact that she’d gotten the job at all, which was only her third acting role ever. “I’m all too painfully aware of how quickly this can disappear,” she’d told me when we’d met in a Broadway dressing room, where she was rehearsing to play Holly Golightly in Breakfast at Tiffany’s.

 

Four years later, Clarke has maintained her hallmarks – wry humor and ample good will, among them – but it’s clear we’re in another realm. Even in a messy bun and frayed blue jeans, she now comes across as a sort of beacon – poised, almost glowing, a point to which all other attention can’t help but be drawn. In other words, she has a way of commanding the room that seems downright Khaleesi-esque. She has, after all, now spent the bulk of her adult life embodying one of our culture’s most striking images of female domination, while eloquently explaining her onscreen nudity in broadly feminist terms. She’s turned 30 (of which she says, “I was just quietly panicking”). She’s graced the big screen multiple times, including opposite Arnold Schwarzenegger in Terminator Genisys. And, like the rest of us, she’s lived through Brexit and the ascendency of Trump, or, as she puts it, “ ’16. The fucking year where everything shit happened.” So, times have changed – for better and for worse.

 

“You can’t expect everyone to just stop doing their jobs and march every day of their lives,” she says of the volatile political climate. “But we’ve got to be in this shit for the long game.” And for Clarke, being “in this shit” means not being OK with a lot of what goes on around her – a realization that grew and amplified “in a [post-Brexit] era where you suddenly go, ‘What do you mean my views are so vastly different from my neighbor?’ ” Like, for example, her views on being one of the few women on any given set. Or the fact that women consistently have fewer lines than their male counterparts, even when they’re playing the “lead.” Or that actresses must arrive for hair and makeup hours before most of the male stars.

 

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April 26 2017

While it’s a pleasure to talk to Emilia Clarke, you just know there are certain things she can’t reveal — like what will happen on the seventh season of HBO’s “Game of Thrones” that’s arriving in July, or anything about the plot of the Han Solo movie she is filming for Disney, which is set for a holiday release next year.

 

But she can deftly segue into discussing her career ambitions and the other films she’s in, such as “Voice From the Stone,” an indie she made two years ago that opens Friday.

 

“I first read the script five years ago, and I absolutely fell in love with it,” Clarke says. “I’m a sucker for a good script, because I’m an avid reader.”

 

Set in 1950s Tuscany, the film stars Clarke as a children’s nurse named Verena, who has been hired by Klaus (Marton Csokas), the artist father of a boy, Jakob (Edward Georg Dring), who hasn’t spoken since his mother died some seven months earlier.

 

So she moves in with the family at their eerie centuries-old castle. What the father didn’t tell her was that Jakob believes his mother speaks to him through the stone in the estate’s walls.

 

“I thought it had a Hitchcock-esque, ‘Rebecca’ quality to it that simmered,” Clarke says.

 

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