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- APPEARANCES > 2018 > May 22: “Late Night with Seth Myers”
- APPEARANCES > 2018 > May 22: Arriving at “Late Night with Seth Myers”
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VARIETY – The hackneyed industry catchphrase “creative differences” has been enlisted countless times over the decades to describe Hollywood productions gone amok, prompting a change in the director’s chair. The modern “Star Wars” series has not been immune: More than half of Lucasfilm’s recent efforts have suffered through episodes of filmmaker upheaval.
But the latest installment, “Solo: A Star Wars Story,” due out May 25, upstaged them all when the production veered off the rails so spectacularly that it forced filming to grind to a halt after four months. With mere weeks left on the shooting schedule, producer Kathleen Kennedy fired directors Phil Lord and Christopher Miller and hired veteran Ron Howard to right the ship.
Suddenly, the Oscar-winning director of 2001’s “A Beautiful Mind,” who along with his Imagine Entertainment partner Brian Grazer has overseen dozens of features, was tasked with the daunting job of overhauling the embattled franchise spinoff. Howard shot about 70% of “Solo,” thus earning him sole director credit on the movie, with Lord and Miller receiving executive producer acknowledgments. With the reshoots, the movie wound up costing more than $250 million.
“I didn’t witness any of the difficulties or where that disconnect was,” says Howard, who is 64. “But the one thing that I could bring to it was objectivity. I saw it as an opportunity.”
Follows the life of Constance Lloyd, leading light in the anti-corset movement and wife of Oscar Wilde, exploring the sexual awakening she experienced when she discovered that Wilde was homosexual.
When a pregnant young woman becomes trapped in an underground cave system she must learn to survive in a world totally devoid of light. But she discovers true darkness within herself when she emerges 15 years later.
An inter-generational story of families connected through shared criminal history.
In modern London’s jazz world, Ivy discovers alternate realities where her romantic path takes unexpected turns, forcing her to question which life and love she truly desires.
Moscow, 1977. Two “PONIES” (“persons of no interest” in intelligence speak) work anonymously as secretaries in the American Embassy. That is until their husbands are killed under mysterious circumstances in the USSR, and the pair become CIA operatives.
Graphic – property of Enchanting Emilia Clarke
