Welcome to Enchanting Emilia Clarke, a fansite decided to the actress best known as Daenerys Targaryen from Game of Thrones since 2011. She acted on stage in Breakfast at Tiffany's on Broadway, plus many movies, including Terminator Genisys, Me Before You, Solo: A Star Wars Story, and Last Christmas has some great upcoming projects. She'll be joining the MCU next year for Secret Invasions. Emilia has represented Dolce & Gabbana's and Clinque. That's not to mention being beloved by fans and celebrities internationally for her funny, quirky, humble, kind, and genuine personality. She's truly Enchanting.
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August 29 2017

Here is a snippet from an interview with Jeremy Podeswa – Director of Episode 7.07 ‘The Dragon and The Wolf’ THE HOLLYWOOD REPORTER

 

The revelation about Jon’s true origin comes juxtaposed with Jon and Daenerys’ first love scene. There’s some cognitive dissonance in play as a result, since this is arguably a heroic moment and a romantic moment … but Freud would have a field day, as well. What was the tonal balance you were trying to strike?

 

You’re getting an epic revelation in this sequence. It’s an epic revelation about the past, and an epic revelation that’s suggestive of the future and what’s going to happen. For us, it was very important that there be a question about what could possibly happen after this moment. We know now the full history that led to this moment, but now what’s going to happen? In the script, it described the fact that they were love-making, but it didn’t go into great detail in terms of what was going on between them as characters in that moment. We built in a moment between Kit and Emilia where they stopped for a moment and looked into each other’s eyes. The intention from my point of view, and their point of view too, is that they’re driven by passion into this. They don’t even fully understand what it’s all about and what the consequences of it are. They really can’t stop themselves. It’s almost destiny that’s bringing them together. There’s a moment where they’re like, “Are we actually going to continue doing this? Are we actually doing this?” And they can’t stop themselves. For me, that was really important, and that gets played out with Tyrion, too, because now he knows that this has happened and there are big questions for him and for everybody what the larger consequences of this are going to be.

July 31 2017

EWThis story contains spoilers from Game of Thrones season 7, episode 3, “The Queen’s Justice”

 

On Sunday night’s Game of Thrones, ice and fire finally came together.

 

Daenerys Targaryen (Emilia Clarke) and Jon Snow (Kit Harington) met for the first time in season 7’s third episode, “The Queen’s Justice.” And surprise-surprise — they didn’t exactly hit it off. Dany demanded Jon declare House Stark’s allegiance to her Targaryen claim for the Iron Throne while Jon begged for her assistance to help him fight the Army of the Dead — something she doesn’t believe even exists. Eventually, they struck an uneasy agreement, yet it’s unclear where they go from here.

 

“I predicted, like everyone, they would meet this season, but I don’t think I predicted it quite as quickly,” Harington told EW. “But then again, you’ve got to take yourself out of the mindset of the viewer. As far as Jon knows, he’s just meeting this queen he’s heard of and trying to negotiate with her — he’s not meeting Daenerys, who the audience has been watching for so many years. That helps with the surprise of it. He walks into the room and doesn’t expect to see such a beautiful young woman of similar age to him. Any young man’s reaction is going to be, ‘Okay…’ but he puts that aside, because he has to.”

 

Adds Clarke: “I had an idea it was coming this season, sure. It was fun to play — she doesn’t like him and she doesn’t believe him.”

 

It’s a meeting that showrunners David Benioff and Dan Weiss have been excited to unveil for years. “It was really fun to watch that scene and I thought they did a great job,” Benioff says. “There isn’t instant chemistry. He’s annoying and she’s annoying and they have to figure out how to make peace.”

 

Of course, as the audience has known since last season, Jon is very likely a Targaryen himself — and Dany is his aunt. Only Bran knows both sides of Jon’s parentage for certain, and he’s back at Winterfell.

 

One moment that gave Harington a bit of concern, however, was his scene with Tyrion (Peter Dinklage) on the cliff where he was wearing a long billowing cloak. “It was a beautiful location with 50 mph winds and I was wearing a cape next to a cliff,” he recalls. “There was a danger of me being blown off! I’m not sure it’s the way I would have wanted to go.”

July 15 2017

EWLena Headey and Emilia Clarke on their characters’ strengths and weaknesses in the war to come

 

 

If you think war in Westeros has been bloody and devastating with all those would-be kings contending for the Iron Throne, just wait until the queens get their turn to face off. We spoke to Emilia Clarke (Daenerys Targaryen) and Lena Headey (Cersei Lannister) about the brewing battle between their characters in season 7.

 

On the throne in King’s Landing is Cersei, the ruler of Westeros by a combo of marriage, misfortune, and assassination; soon-to-claim the throne at Dragonstone is Daenerys, the exiled former princess returning home to claim her birthright. It’s a rivalry that threatens to tear Westeros apart—with our beloved Starks at Winterfell potentially caught in the middle. Below is a reminder and analysis of the resources each side has and some thoughts from the stars on this clash of queens:

 


 

THEIR ARMIES

 
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June 09 2017

BELEFAST TELEGRAPH – Ahead of the seventh series of Game of Thrones which begins in July, Una Brankin talks to the show’s biggest stars, including Emilia Clarke and Kit Harington, about the ending of the most-watched TV show in the world and how they feel about their last days of filming and leaving Belfast behind.

 

It’s girl power all the way in the seventh series of Game of Thrones according to the cast members who filmed their final scenes in Belfast’s Titanic Studios and the Linen Mill studios in Banbridge.

 

And to the delight, especially, of those playing the warring women of Westeros, the drama that started out in 2009 as a male-dominated medieval adventure has become a powerful tale of female empowerment.

 

Actress Emilia Clarke has high hopes for her warrior queen character, Daenerys, ending up on the famous hot seat.

 

All eyes will be on the tiny but fierce Daenerys and her ferocious dragons (now three) as she makes her bid for power, alongside “the imp” Tyrion Lannister, in the final series of the hit show, which begins on Sky Atlantic on Monday, July 17.

 

“Right now, I’m sort of feeling – with her – optimistic,” says Emilia, who was cast as Daenerys, the princess also known as Mother of Dragons, after a guest spot on the BBC drama Doctors. “She’ll probably need some help, though. I’ll definitely be disappointed if she doesn’t make it.

 

“I think that there was always that idea that she would know where she was going to, but the reality is frightening.

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March 15 2017

For those who have seen Me Before You, the beginning of the trailer for Voice from the Stone may seem a little familiar. A young person has undergone a tragedy, and Emilia Clarke‘s character is brought in to help. She’s caring, witty, and charming, and is hoping to bring them back from the brink. But Voices from the Stone is not a love story, it’s a supernatural thriller. At this remote Italian castle, Clarke’s Verena wants to help young Jakob (Edward Dring), whose mother just passed away. He hasn’t spoken since, but swears he hears her voice in the walls. Soon, she does too …

 

Verena also gets into a relationship with Jackob’s father, Klaus (Marton Csokas), which keeps her at the house long after she starts realizing something is very wrong. Check out the creepy trailer below:

 

As badass as Clarke can be in action movies or as the Khaleesi on Game of Thrones, I think she’s really at her best in these smaller dramatic roles. Directed by Eric Howell and based on the novel by Silvio Raffo, the movie (which takes place in the 1950s) was described by Howell to USA Today as a “Hitchcockian fairy tale.” Clarke added that for Verena, the house is “mixed in with all of the loneliness she has felt in her life as a nurse who is always moving from one family to another. It seems that happiness is only a family away.”

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